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Tools Needed for Stained Glass Artists

Updated: 7 days ago

Working in glass arts requires quite a few tools. This list make the task of setting up your workshop less daunting. Quality varies with all glass products. Buy the tools needed for stained glass from a reputable, dedicated glass/crafts company to avoid receiving poor quality knock-offs.


An antique Victorian era window in its original wooden frame is depicted.
An Old Window in it's original casing, unknown artist, Chicago

Making A Pattern

  • Ruler

  • Pencils - for drawing

  • Pencil - for transferring the pattern, preferably red

  • Card Stock Paper

  • Graph Paper

  • Plain Paper

  • Graphite Paper (carbon paper)

You can purchase these supplies at art or office supply stores.


Cutting the Pattern

  • Pattern Sheers

  • Envelopes, Paper Clips, and/or Binder Clips


See our blog post, Creating a Pattern, for details about how the supplies for designing, cutting, and organizing the pattern are utilized.


Cutting Glass 

  • Fine Point Felt Tip Pen, Black

  • Fine Point Felt Tip Pen, White

    • Permanent markers take more effort to clean. They make the cutting process easier because they don't smear.

    • Purchase any good quality marker,

      • office supply, brands include Sharpie or Avery

      • drafting or technical pens

  • Glass Scoring Tool

    • A variety of scoring tools are available.

      • Self-oiling or manual oiling

      • Various grip styles

A green hand held glass cutting tool is on a white background.
The Toyo pistol grip self-oiling scoring tool is recommended for ergonomics and ease of achieving accuracy.
  • Cutting Oil

    • To maintain the integrity of the wheel on the scoring tool, it needs to be lubricated with cutting oil. You can score without oil, but your tool will degrade much faster.

    • An internet search will give you a variety of ideas on which oil or combination of oils makes the best cutting oil. I recommend purchasing oil from a stained glass supplier.

  • Pliers, 3 Types

    I recommend having one set of each.

    • Breaking pliers

    • Running pliers

    • Grozing pliers

      Three types of pliers: breaking pliers, running pliers, and grozing pliers, are useful tools.
      Breaking pliers Running Pliers Grozing Pliers
  • A Soft Bristled Brush

    • The softer the bristles, the better job the brush will do.

    • Specialty bench brushes are available.

    • A soft paintbrush, about 4-6" wide, works well.

  • Safety Tools: Glasses and Dust Mask

    • Safety glasses are an absolutely essential part of the tool kit, particularly important when using the glass grinder.

    • Grinding glass puts dust into the atmosphere in spite of the fact there is water lubricating the grinding wheel. A dust mask can prevent inhaling ground glass particles.

  • Padding for Glass Cutting

    • Glass cutting waffle grid mats made for cutting glass are made of plastic. The raised grid surface catches the glass fragments in the recesses and keeps the glass elevated above the debris.

    • Another useful cutting mat for glass is a self-healing hobby mat, which is easier on the cutting tool than a hard table surface.

    • You can use newspaper as a padding under the glass while cutting the glass.


Assembling Cut Glass 

For leaded pieces:

  • Lead Knife and/or Nippers

    • It's important to invest in a very high quality lead cutting tool.

      A lead knife and special lead nippers are shown.
      Lead knives and lead nippers cut through the lead. I have both in my kit, and use both.
  • Sharpening Stone

    • for maintaining your lead knife or nippers

    • Your kitchen knife sharpening tool might work well.

  • Horseshoe nails

  • A small hammer

  • Fid

    A stained glass hammer and fid are shown.
    The stained glass hammer has both rubber and dense plastic surfaces. This is my favorite fid. The pointed end is useful for opening lead came and burnishing foil. The flat end can be shoved under a piece o glass and used to lift the glass to help guide it into the lead channel.
  • Lead came

  • Border came, usually zinc


 For Copper Foiled Pieces:

  • Copper Foil

    • As with all glass products, quality varies. The lower quality copper foil doesn't have the same adhesive properties as better quality, which can be frustrating if the foil doesn't stick to the glass.

    • Foil is available with black backing. If you don't center the foil exaclty, you can see the back of the foil through transparent glass which results in a shiny copper line at the edge of your solder bead. The black background blends well with solder that has been treated with black patina.

  • Burnishing Tool

    • Special tools are designed for burnishing.

    • Any smooth surface will work.

      • the side of your felt pen or pencil

      • the fid pictured above

  • Craft Knife (optional)

    • The small, inexpensive, craft knife can give you a quick, clean cut of your copper foil.

    • Scissors or an exacto knive also work, as does tearing the foil.

  • Copper Foil Holder (optional)

  • Copper Foil Application Tool (optional)


Soldering

  • Soldering iron

    The Hakko FX601 soldering iron is illustrated.
    The Hakko FX601 is an excellent, high quality tool with a built in temperature controller. Be sure to buy this from a stained glass supplier to avoid getting a poor quality knock-off.
  • Soldering iron stand

  • Flux Brush

  • Solder

    • The number rating indicates the proportion of tin to lead in the solder.

    • 60/40

      • Produces a higher, rounded bead or seam

      • Melts at around 374 F, sets at around 361 F

      • Best for copper foil

    • 50/50

      • Produces a flat bead or seam

      • Stays liquid longest

        • Melts at around 421 F, sets at around 365 F

      • Best for leaded pieces as typically a high bead is not desirable

      • Works for copper foil when seeking a flatter solder bead

    • 63/37

      • This solder sets as soon as the heat source is removed.

      • Best for decorative purposes, adding embellishments once the piece is finished

  • Flux

    • Flux is a slightly acidic chemical used to solder.

    • Solder will not adhere to other metals without the use of flux.

  • Rheostat (optional)

    • Plug a soldering iron into a rheostat controller to dial in lower temperatures.

  • Wire Brush (optional)

  • Products to Clean the Soldering Iron

    • Solid Sal Amoniac

    • Hakko tool

    • Chemical paste

    • Wet sponge

      • The soldering iron can be cleaned using any of these products: ammoniac, the Hakko tool, chemical paste, or a wet sponge.
        I've found a wet sponge works as well as the more sophisticated tools.

Finishing

  • Patina

    • Patina is a chemical applied to the metals (solder, lead, zinc) to give an instant aged appearance.

    • The metals each oxidize at different rates, which gives you bright solder joints on dulled lead for a long while until the solder ages and oxidizes too.

    • Patina products are available in black, copper, and shiny copper.

  • Patina brush

  • To Finish Leaded Panels

    • Window glazing putty

      • available at hardware stores

      • Stained glass suppliers sell black window glazing putty.

    • Sawdust or stained glass whiting powder


You also need these items:

  • Glass

  • A surface to build the piece

    • The surface for assembling a panel needs to accept nails.

    • Small projects can be assembled on cork board using carpet tacks or heavy pins rather than horseshoe nails.

    • Styrofoam molds are available to construct lamps.

  • Reinforcement material (may be necessary for larger pieces)

    • Because lead is soft and flexible, wider windows need reinforcement to protect the glass from the potential of stress causing the glass to break

    • The reinforcemnts are thin coppered steel strips that are placed in the lead channel or between the foiled pieces, strengthening the lead or foil/solder

    • Brands include Copper Re-Strip, Morton Strongline, and Flex-Bar

  • Apron (optional)

  • Wire (may be necessary, depending on the project)

    • Wire is used to create a hanger for sun catchers, ornaments, or small panels hung without a frame.

    • Tinned copper wire is available in various gauges. I use 18 for small ornaments, heavier gauge wire for heavier pieces.

  • Soldering board (optional)





 
 
 

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